"White feminism" does not mean every white woman, everywhere, who happens to identify as feminist. It also doesn’t mean that every "white feminist" identifies as white. I see "white feminism" as a specific set of single-issue, non-intersectional, superficial feminist practices. It is the feminism we understand as mainstream; the feminism obsessed with body hair, and high heels and makeup, and changing your married name. It is the feminism you probably first learned. "White feminism" is the feminism that doesn’t understand western privilege, or cultural context. It is the feminism that doesn’t consider race as a factor in the struggle for equality.
White feminism is a set of beliefs that allows for the exclusion of issues that specifically affect women of colour. It is “one size-fits all” feminism, where middle class white women are the mould that others must fit. It is a method of practicing feminism, not an indictment of every individual white feminist, everywhere, always.
I think an important thing to understand about Hollywood blockbusters is that they are almost never flukes; they are preordained. Sure, we have the occasional surprise indie hit, but you need a lot of money and marketing behind you to become a blockbuster. Just look at the top ten films in each of the last five years: nearly every single one had a budget of more than $100 million (a lot of them were also sci-fi/fantasy films).
Meanwhile, there hasn’t been a single film released this year starring a person of color with a budget of more than $50 million, let alone a sci-fi film, which is naturally going to be more expensive. The same goes for most of the last decade. So for anyone who might say “people just don’t watch sci-fi movies starring people of color,” or “there’s no evidence that this would work,” the truth is that we have no evidence that it wouldn’t work.
People need to get that.
I have seen people refer to black Europeans as “African Americans”. It’s embarrassing.
Not only did a Latino actor not play Tony, who clearly in real life looks like a Chicano, but his ethnicity is stolen from the Latino community at a time when Latinos have been demonized. Our real Latino national heroes if acknowledged would dramatize our patriotism and contribution to the United States…
In “Argo” we have yet another instance where the public has been denied of an opportunity for all Americans to learn of an American Latino’s valor, talent and patriotism. This occurs because there has been no consequence to this behavior. It is time for a change.
Moctesuma Esparza on Ben Affleck’s Argo and the White-Washing of the Mexican-American. Esparza says:
The film actually goes out of its way to obscure Tony Mendez’ ethnicity. His name (Mendez) is mentioned only once and the character says he is from New York (Tony was born in Nevada from a mining family with six generations in Nevada and raised in Colorado). Nowhere in the movie does the viewer get that the hero is Mexican American.
Ben Affleck’s portrayal of Antonio “Tony” Mendez was very contained and had very little range, I don’t know what Tony personality is like to judge the portrayal but this did not impact the movie’s success or failure. It was an excellent role that would have elevated a Latino actor like Benjamin Bratt or Michael Peña.
Instead, like with the story of Guy Gabaldon, whose extraordinary achievements in the WWII Battle of Saipan, capturing, by himself, 1800 enemy soldiers, more than any other American soldier in the history of our country, was similarly white-washed as Jeffrey Hunter played him in the 1960 film, “Hell to Eternity.” But that was more than half a century ago, Argo is now.
In the closing credits, the photos of the real people portrayed are presented side-b- side with the actors’ photos showing the very close resemblance and care that was taken in the casting process to cast actors who looked like the real people. Yet, for the key role of Tony Mendez, the director/producer Ben Affleck chose a single long shot of Tony with President Carter where his image was not distinct or recognizable, breaking the pattern he had chosen for all the other real people depicted.
White privilege is being able to star in a person of color’s life story. See also: Angelina Jolie in A Mighty Heart and almost everyone in 21. Nevemind. I should have made a separate post. Sorry, folks.
- When a person of color says that they hate white people, they hate white people as an institution (aka white supremacy/hegemony)
- When a woman says that they hate men, they hate men as an institution (aka male dominance/patriarchy)
- When a queer person says that they hate straight people, they hate straight people as an institution (aka heteronormativity)
- When a trans* person says that they hate cisgender people, they hate cisgender people as an institution (aka gender essentialism/rigid gender roles)
SO WHEN ANY OF THESE PEOPLE SAY THAT THEY HATE ANY OF THESE GROUPS, DON’T RESPOND WITH “NOT ALL WHITE PEOPLE/MEN/STRAIGHT/CIS PEOPLE ARE LIKE THAT”. WE KNOW THAT. IT’S NOT ABOUT YOU PERSONALLY. IT’S ABOUT INSTITUTIONS AND THE WAYS IN WHICH THEY, AS INSTITUTIONS, OPPRESS US. SHUT THE FUCK UP.
to a white person diversity basically means ‘i have the option of interacting with Black/Brown folks at the time and place of my choosing.’
like they are a resource to be called upon when they want ‘soul food’ or someone to practice their spanish on. but if the Black/Brown presence is readily visible/audible outside of the gentrifiers choosing, then they are an invasive nuisance.
because this is ‘diversity’ not ‘i want to live in an all Black/Brown community’.
They basically want to be cultural tourists, to visit POCLand, not live there.
lucy liu actually is two years older but martin freeman looks about twenty years her senior
Asians don’t raisin?
Yep. Everyone in my family looks at least a decade younger than they are. When white people are being racist, I at least have the comfort of knowing they’ll look like hell much sooner than I will.
Martin Freeman is 41. Lucy Liu is 44.
Melanin: the true fountain of youth.